In 1998, I wrote this Seinfeld script one night out of the blue. Since today is Story Tuesday, enjoy!

TITLE: Mr. Subliminal

ELAINE interviews a prospective job candidate and JERRY buys a silk undershirt.

Scene I

JERRY at comedy club.

JERRY (on stage): You wanna know why I became a stand-up comedian?

All the other jobs had applications! - I couldn’t handle the applications. “Applying for a job? Please fill this short form out … High school athletics … past salaries … references.”

I didn’t have any of those. I would hand in a half-filled out application. The secretary would never even let me in to see the interviewer.

Scene II

In ELAINE’s office at work.

ALFRED GRUBERG (A medium-height, going bald, 30-45-year-old man. Dressed in a business suit for an interview. Smiling and charming. He has one quirk: he is a psychologist by training and often inserts subliminal phrases into his speech. Subliminal phrases are in all capital letters. Alfred says these phrases quickly as if skimming over the words with no change in demeanor, in how he speaks, how he acts.)

ELAINE and ALFRED walking in.

ELAINE: Mr. Gruberg, please sit down. (ELAINE points to seat on other side of her desk) Now, let’s take a look at your resume. … Secretary at Blomingdale’s . . . Vogue . . . Russian Tea Room. Psychology? It says here that you received a degree in psychology before starting your secretarial positions. Why would you do that (very puzzled look, taking her glasses off) - gain proficiency in one field and then leave it for secretarial positions?

ALFRED: Well let me tell you the two differences between secretaries and psychologists - Secretaries get fewer looney-tunes (signaling crazy with his finger to his head) if you know what I mean (smiles at ELAINE) GORGEOUS BRUNETTE WOMEN and more money to boot. (laughs, trying to get ELAINE to laugh with him)

ELAINE: (laughs uncomfortablly, looking at resume) Uh-huh.

ELAINE’s VOICEOVER: (Double-take) Did he just say “gorgeous brunette women”? Is he trying to come on to me during an interview?

ALFRED: (reaching over her desk) And if you notice there at the bottom, I have listed my specifications: typing speed LOOK CLOSELY PENILE ENLARGEMENT and standardized test scores.

ELAINE’s VOICEOVER: (ELAINE looks very skeptical) Standardized test scores?

Scene III

JERRY’s apartment. JERRY and GEORGE.

JERRY: My mom recommended I buy a silk undershirt for the winter. But I just don’t know . . . . She recommends it every year.

GEORGE: Oh, no, JERRY, silk undershirts have been underrated. My mom got me a bunch when I was in junior high school.

JERRY: And you still have them?

GEORGE: Uh-huh.

JERRY: You have silk undershirts from when you were in junior high?!?! How could they have lasted that long?

GEORGE: (Looking at himself apologetically) Well, I haven’t changed much. (Explanatory tone) And - and I only wear them in the winter.

KRAMER walks in.

JERRY: Hey, Kramer, you have any silk undershirts?

KRAMER: Oh, yeah, (smiling big) how else do you think I stay warm in the winter? And let me tell you, women love that! Silk shirts, silk boxers, silk bedsheets, oh yeah! Ok, guys, I need your advice.

(Door buzzer)

JERRY: Who is it?

ELAINE’s VOICEOVER: Elaine.

JERRY: Come on up.

JERRY: Yeah, but I don’t know. It seems like a big step. Silk undershirts. And people already think I’m gay because I’m thin and clean. Won’t this be just another log for the fire?

GEORGE: You mean “More fuel on the fire”?

JERRY: No, “another log for the fire.”

GEORGE: (Confidently but subtly) I think the expression is “More fuel on the fire.”

JERRY: (In a “prove me right” tone) Kramer!

KRAMER: Whoa, you’d better count me out. I just say, “Baby, light my fire.”

ELAINE comes in.

JERRY: Elaine, what do you say when you mean “put another log on the fire.”

GEORGE: Ah-ah-ah! That’s a biased question, Jerry! You already told her what you want her to say.

ELAINE: (Putting her bag and coat down) I say “put more fuel on the fire.” Why?

GEORGE: Thank you very much!

ELAINE: (Smiling) I interviewed someone today for the new secretary position.

JERRY: Oh, yea, how was she?

ELAINE: Ah-ah-ah! He.

JERRY: Oh, really, male secretary?

KRAMER: (Chewing on something from Jerry’s fridge) Elaine, how does that pay - a male secretary position?

GEORGE: Oh, Kramer, not you, give me a break. Kramer the male secretary.

KRAMER: Well, well . . . Elaine, what are the benefits?

ELAINE: Typical benefits I guess. Healthcare, bonus, life insurance.

KRAMER: Life insurance. Whoa! I’ll think about it.

ELAINE: Kramer, please don’t apply for the job. Please, please don’t.

KRAMER: We’ll see.

ELAINE: You would not believe this guy. He seemed like such a creep.

JERRY: Did you tell him you weren’t interested?

ELAINE: Not exactly. He did this weird thing at one point. When I asked him a question, he answered with something that sounded like “gorgeous brunette women,” but he wouldn’t say that during an interview, right? I must have misheard him, right?

KRAMER: You never know.

GEORGE: So what did it sound like? He just looked you straight in the face and said “gorgeous brunette women”? I’ve tried that. I get knocked on the head every time I say something like that.

JERRY: I think you mean “get knocked upside the head.”

GEORGE: What?

JERRY: I think the expression is “get knocked upside the head.”

GEORGE: Hmm. I think you got me there. At least I admit it!

ELAINE: So that was the more bizarre thing about it. I don’t know how or when he said it. It’s almost like it was an EPS kind of thing or like I just thought that he said it.

GEORGE: Elaine, (getting excited) what you’re talking about is subliminal! It’s like an episode I saw on X-Files where this man could get into any secret restricted area by controlling the thoughts of the people he had to pass. He made them all think that he was wearing a badge even though his label simply said the word “Pass” on it. It was incredible.

ELAINE: You think that’s what it was? But did the people know his label only said “Pass” on it?

GEORGE: No! That’s the thing - they all thought it was an official ID. Elaine, (moving closer) do you mean to tell me that it works, that some people really can implant subliminal thoughts?

ELAINE: No George, it does not work. If it worked, I wouldn’t have noticed him saying “gorgeous brunette women”, right?

GEORGE: (Scheming, sits on couch, looks at ceiling) But maybe you’re the exception, Elaine. Maybe it works on everybody else except you! Maybe that’s how he got all his other jobs . . . Let’s see it, do you have his resume with you.

ELAINE: Well, yes (reluctant to give it to George).

GEORGE: Well, let’s see it (signaling “bring it to me” with both hands from the couch).

ELAINE: No, George, I don’t think so. He applied for a job with Peterman Publishing in confidentiality. I can not go around showing his resume around. I think it may be illegal to distribute the resume of a prospective applicant before the hiring decision has been made.

JERRY: Oh, Elaine, what are we going to do? Call this guy and tell him we saw his resume?

GEORGE: C’mon, Elaine.

KRAMER: I may call him. If it says something offensive, you can bet I may call him.

JERRY: Ok, just don’t show it to Kramer then. Come on, Elaine.

ELAINE: Oh, all right. (She takes the resume out of her bag, and gives it to George).

(JERRY, KRAMER, and GEORGE gather around the sofa, looking over GEORGE’s shoulder at the resume.)

JERRY: It says here he’s worked at Vogue, Bloomingdale’s, and a secretary for the Russian Tea Room?

ELAINE shrugs her shoulders.

KRAMER: Oh, but that’s not what’s so interesting. What’s great is that his phone number has no ones or zeros in it. That means it must spell out some word.

JERRY: Oh, come on, Kramer.

KRAMER: 623-7242. I’m sure it must spell something. (Goes over to the phone)

GEORGE: He’s a psychologist who’s become a secretary? That proves my point. He already knows how to control your mind.

KRAMER: (muttering to himself) 623-72… M… A…

JERRY: These are unusual test scores.

ELAINE: What do you mean? He also said something strange that sounded like “penile enlargement,” can you believe that?

JERRY: George, these are not test scores.

GEORGE: Oh my gosh, you’re right. They’re . . . dimensions.

JERRY: Yes, they are.

ELAINE: What?

KRAMER: “Ma—d…”

GEORGE: Elaine, these are dimensions.

ELAINE: What dimensions?

GEORGE: You know. (looking down at his crotch)

ELAINE: Get out of here. (She pushes George so he falls to lying down on the couch and takes the resume)

That’s why he mentioned his standardized test scores.

JERRY: Well, what are you going to do about it?

ELAINE: I’m going to call him in again, and watch him put his foot in his mouth.

GEORGE: Maybe you’d better check out his old jobs as well. A secretary at the Russian Tea Room?

KRAMER: (Yelling it out) MAD SAGA! His phone number spells MAD SAGA!

Scene IV

In ELAINE’s office. ELAINE is on the phone.

We see the RUSSIAN TEA ROOM OPERATOR on another line in a cut-screen two-phone visual.

ELAINE: Hello, is this the Russian Tea Room?

OPER.: (With a Russian accent) Yes, velcome.

ELAINE: You are a restaurant, correct?

OPER.: Yes.

ELAINE: Did you have an Alfred Gruberg working for you as a secretary?

OPER.: Yes, ve just let him go.

ELAINE: You fired him?

OPER.: At zis moment ve have unfinished business with him.